How to Write a Novel with Multiple Points of View

FEATURED_How-to-Write-a-Novel-with-Multiple-Points-of-ViewOne of the hardest feats to pull off in literature is writing from multiple points of view. You’ve got to juggle different personalities and motivations– and somehow use them to tell a coherent, cohesive and compelling story.

I won’t lie to you:

Some readers hate it.

Some writers hate it.

But, if you want to explore a story from multiple viewpoints and believe that your reader will also benefit from this literary device, go for it. Besides, you’ll be in good company, such as:

Jodi Picoult’s My Sister’s Keeper

Margaret Atwood’s The Year of the Flood

William Faulkner’s As I Lay Dying

Barbara Kingsolver’s The Poisonwood Bible

Amy Tan’s The Joy Luck Club

Kathryn Stockett’s The Help

George R. R. Martin’s A Song of Ice and Fire series

And, that’s just to name a few.

So, if you’re ready for the challenge, here’s how to write your novel from multiple points of view:

Here’s a helpful guide on the different points of view.

Start Here

Before we get too deep into the discussion, here’s a good primer to help you understand the different points of view and how they can be used to tell a story:

All About Point of View: Which One Should You Use?

Also, check out this post for a definition of perspective, and how it differs from point of view:

What’s the Difference Between Perspective and Point of View?

Both are short reads, but they are good foundations for the rest of this guide.

Understand the Story You’re Trying to Tell and How

Does it make sense to tell your story from multiple points of view?

On one hand, multiple points of view allow you to create a broader understanding of your world. You can use this device to introduce the reader into a complicated idea, world, or system.

On the other hand, multiple points of view can cause the reader to feel detached from the characters, especially if there isn’t one main character to care about. The reader no longer roots for one character because now he has a more global awareness of all of the characters, and their needs and wants.

This could be an effective way to tell your story, especially if you want to provide objectivity. Just know that you’ll be sacrificing a certain character intimacy with the reader.

Stay True to the Point of View

One of the hardest parts of writing in a limited point of view is that you must be limited.

You can’t interrupt the point of view by suddenly becoming an all knowing narrator. You can’t know what another character is feeling or thinking while you’re in the head of someone else. You are tied to the direct experiences and knowledge of the person who is narrating, whether that’s first person or third.

Use Distinct Characters

Your characters should each have a unique point of view in your novel. Otherwise, there’s little reason to use a multiple point-of-view device.

Choose distinct characters that have a purpose for being in the story and are used to narrate the story. Consolidate similar characters, or at the very least, don’t give them each a point of view because it can (and will) confuse your reader. Clarity must be a nagging companion for all writers, but especially for those who write in multiple view points.

Everyone’s a Hero


Remember that everyone is the hero in their own story. For that reason, each character whom you’ve given a point of view must have his or her own arc. This means the character should have a conflict, whether external, internal or both, and a resolution.

First Person Vs. Third Person

You have three main options when writing a novel from multiple points of view.

Option #1 is to use first-person point of view for each character. Each character receives its own narrative. This point of view is definitely has one major challenge: you must create a distinctive voice for your character. As a reader, I should be able to know who’s speaking without indelicate clues from the narrative (i.e., this is Tom speaking).

This option will test your chops as a writer. People speak in different ways– some speak in long, flowing sentences with plenty of adjectives and adverbs. Others speak with a decisive and succinct tone, more matter-of-fact than poetic. You’ll need to channel each character when writing in first person, and each character must sound completely unlike the other.

Option #2 is to use third-person point of view for each character. This option is the most subtle of the three. As a third-person narrator, you can easily glide from following one character to the other. While you’re still limited to only what that character knows and experiences, your narrator voice doesn’t need to shift as it does in first person.

I still recommend using character breaks to switch between characters, to avoid  a jarring transition.

Option #3 is to use a mix of first and third-person point of view. For example, have one main character in first person and shift to third person for supporting characters.

Keep in mind, it’s not always easy to transition from first to third and back again throughout your novel. It can feel a lot like whiplash for your reader, especially if you do it mid-scene (don’t do that, please). Instead, switch to a different point of view at the end of each chapter.

Use Chapters to Help with Point of View

Instead of breaking point of view mid chapter and confusing your reader, consider devoting one chapter to each point of view.

This allows the reader to “reset” between chapters, understanding that each chapter brings a different perspective to the story from a new point of view.

One easy way to switch between characters while not confusing the reader is to give the chapter the name of the narrating character.

Don’t Rehash the Same Scene

Of course, there are always exceptions to the rule, but as a general guideline, don’t tell the same scene from each character’s point of view.


It slows down your story to a grinding halt. And we’re trying to move the story forward with each scene and every word.

If you have two point-of-view characters in one scene, choose to narrate from the character who has the most compelling perspective.

Develop a Unique Voice for Each Character

This is where you’ve got to roll up your sleeves and get to work. If you intend to write in third person, you’ll need to create an individual voice for each character. Each character should have a different outlook on his or her circumstances, and a different way of self-expression. His or her motivation in each scene will be unique, and you need to honor that, or else there’s no reason to tell the story from a different point of view.

Honing a character’s voice for each point of view is not as important if you’re writing in third person; however, it is still necessary to develop it for the purposes of dialogue and interaction between characters.

Have a Strategy


Earlier, we discussed why it’s not a good idea to rehash a scene from multiple characters. Following up on that thought, choose one character to reveal a certain truth. Choose a character who has a different experience that’s not common to the others. Always ask yourself:

  • Why am I using this particular character to tell this part of the story?
  • What insight or awareness does the character bring?
  • Is this experience best told through this character’s point of view?

Final Thoughts

Writing from multiple points of view is not easy, but it can be a clever and satisfying method of storytelling. Keep the reader in mind as you plot out the characters and reintroduce them throughout your story. Avoid confusion of narrator identity, have a solid reason for choosing each character and use these points of view to push your story forward.

What’s your favorite multiple point-of-view novel and why?

Don’t forget to download this printable guide on different points of view.

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Cate Hogan

A very helpful article, thanks. I tend to write from the seat of my pants, but have learned –the hard way– that following a loose outline and plot structure can save my editing budget down the line. I recently featured a post on my blog with 5 key plotting techniques, which you might find interesting.


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Wongile Mbano

i read this version of beauty and the beast that was written in multiple of point of view. it was done really well and it endeared you to the characters more than the omniscient point of view.

On the Hunt for Head-Hopping – The Wise Ink Blog

[…] The Poisonwood Bible and Junot Díaz’s The Brief Wondrous Life of Oscar Wao. Writing from multiple points of view will allow you to expand on each character’s thoughts and emotions, and can be a wonderful device […]

Donna Norman Carbone

Natasa, I love this & it came at just the right time as I’m wrestling w/ a revision of my multi-POV novel. For this WIP, I feel like it’s necessary for the story to work & I love/hate writing it. Equally. My favorite multi-POV novel is Little Altars Everywhere by Rebecca Wells. Thanks for the coaching!


I love Leigh Bardugo’s Six of Crows in this matter. It’s done beautifully!

Terry Stanford

NY Book Editors needs to proof its own work! This is from Option#1 above: “This point of view is definitely has one major challenge: you must create a distinctive voice for your character.”


I can’t believe this one isn’t mentioned, but Wonder by R.J. Palacio is in multiple point of view first person sections. It’s actually the one that I am basing my format after.


I was impressed by Ken Kesey use of both first and third person in Sometimes a Great Notion.

Mary Day

Thank you for all these suggestions and information. For my novel, I wanted the killer’s thoughts and comments to be first person, unidentified, and the remainder of the book written in third person to advance the story. After speaking to some authors, I was given option 3 as a solution. I was told that the reader needs to know who is speaking, and it would be too confusing to keep my pov character secret until the end. It would be too obvious if the killer is identified speaking in first person, when none of the other characters speak in first person. I decided to have multiple pov characters, and use their names for the chapters while still using third person to tell the story in general. Do you think that would work?

Sue Garzon

Thanks for this article. I’m having difficulty in knowing when to combine scenes into chapters, and this gave me some things to think about. In the sentence below, I wonder if you meant “chapter breaks” rather than “character breaks.” Or maybe you’re referring to something else entirely.

“I still recommend using character breaks to switch between characters to avoid a jarring transition.”

Jasmine Everlee

This article was really helpful, and it let me know that I was doing mostly everything right. But I still have a trouble with planning the story. You see, me and my friend have this plan where our series are secretly connected. We planned out what was going to happen (the backstory, what big thing was going to happen, the reveal) but, we didn’t plan the little details like the little details. Now I have writers block. Yaaay…

A little help please!

Olivia Vaughn

Writing character voice comes fairly easily to me, so I adore first for contemporaries. In high fantasy, though, I’m usually third person all the way. (“Shadow and Bone” is one of the only f. person novels I’ve read in the genre that worked for me.)
Here’s my question: You can have static main characters. Think Katniss – her beliefs are not fundamentally changed by the end of the “Hunger Games” series, but she does change those around her, such as Effie Trinket. Should there not be an exception, then, to the rule of “they’re all heroes”, when some heroes need not grow, so long as they inspire growth in others?

My (First) Book Failed – INKYREPERTOIRE

[…] reviewing the book, I believed the plot was unclear. The POV was confusing, unclear and the story lacked imagination. I also found a lot of punctuation errors, typical of any first draft. In the end, I figured that […]


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