5 Writing Cliches to Avoid

writing cliches to avoid

In this day and age, writers should avoid cliches like the plague.

See what I did there?

The only thing worse than writing a cliche is forcing your audience to read one. As a writer, it’s your job to come up with creative storytelling.

In this post, we’ll discuss the most common cliches in literature and how to avoid repeating these mistakes in your own stories.

Here are 5 additional writing cliches to avoid in your storytelling.

What Exactly is a Cliche?

Cliches are two-fold. A cliche can refer to an overused phrase or expression. But another definition for cliche, and the one that we’ll rely on in this article, is a worn-out idea that should’ve been put to bed a long time ago.

Here’s why you shouldn’t use cliches in your writing:

  • It muddies your story’s originality – It’s hard to read a story that’s riddled with common slang and overused ideas. Using cliches can dilute your story and make it sound pedestrian.
  • It robs your reader of a fresh way to see something that’s otherwise ordinary – You have a golden opportunity to help the reader see the world from a new perspective. Don’t squander that chance by relying on common expressions or ideas that have long since lost their originality.
  • It degrades your writing ability – You must push yourself to write different and original content that elevates literature, even if only in a small way. If you’re relying on old ideas, you’re not challenging yourself and you’re not improving your selected genre.
  • It makes you lazy as a writer – As a writer, you deal in words. You’re tasked with coming up with inventive turns of phrases. You’re an innovator and wordsmith. You shouldn’t rely on another’s ideas, but rather you should build on them, reimagine them, or better yet, come up with ideas that no one else has considered.

As you can see, cliches are never good to use in your writing. You can’t exactly call yourself a creative writer if you’re relying on the creativity of other writers from long ago. What will make your story so captivating is your unique spin on telling it? But if you load it down with predictable ideas, you’ll lose the magic of your writing.

So, avoid cliches whenever possible or turn them on their head, if your genre requires them. Let’s get started by discussing the most treacherous offenders.

Tired Cliches in Literature

Here’s a look at the most overused literary ideas.

1. The Love Triangle

writing cliches to avoid

One of the most common cliches in all of literature is the love triangle. Two lovesick puppies vying for the affection of one character. Excuse me while I roll my eyes.

The love triangle is a staple, especially in the romance and YA genres, and is not likely to be abandoned. However, if your genre requires that you use this cliche, at least turn it on its head. Instead of following the predictable pattern of the protagonist choosing the one that he or she obviously has the most chemistry with, try something unusual like not introducing a love story at all, or allowing the protagonist to choose the wrong person, only to regret it in the end.

2. The Chosen One

In the chosen one cliche, only this one person can change the world. In fact, the fate of the entire world rests on this one character (who’s usually in his teens or early 20s).

Are you as tired as I am of the chosen one cliche?

You know this one well because it’s perhaps the most popular literary cliches of all time, seen everywhere from The Lord of the Rings to Nineteen Eighty-Four. One thing that George Orwell does well in Nineteen Eighty-Four is to shake up the idea of the chosen one. Here’s a vague spoiler alert: The protagonist, Winston, may be considered by the reader as the chosen one initially, but over the course of the novel, it becomes painfully clear that no one can escape the tyranny of totalitarianism.

3. The 2D Heroine

She’s tough as nails. She’s mad as hell. She’s a maneater. Unless you want your heroine to sound like the lyrics of a 1980s song, you have to avoid this two-dimensional stereotype. Strong women don’t have to be physically strong or display traditionally masculine qualities in order to be “strong.” But that also doesn’t exclude this type of woman from being a heroine.

My point is that your characters, male and female alike, must have dimension. There needs to be a motivation behind why they are the way that they are. Creating the portrait of a woman who only exists in fairy tales is not solid storytelling. It will disappoint your reader because this type of character is hopelessly unrelatable.

For more information on writing women, be sure to check out this guide: Your Guide to Writing Women.

4. Abusive or Absentee Parents

writing cliches to avoid

At the risk of sounding heartless, and it wouldn’t be the first time, don’t fall back on blaming abusive parents for your character’s bad behavior.

Every human on earth can point back to a time when their mommy didn’t hug them or tuck them in (some admittedly more than others). However, that is not an excuse or a motivation for your character’s behavior— that’s just lazy writing.

The bad parent is a common cliche in writing that’s used to explain away poor choices. However, there are plenty of people who don’t become evil because of a past wrong. For this reason, you need to rely on characterization, mainly personality, instead of the default bad parent cliche.

5. First Person Narrator Describing Himself/ Herself in the Mirror

First person, third person— each point of view has its perks. But when it comes to describing a protagonist, it’s a lot easier to do so when writing in the third person. As the narrator, you’re able to objectively describe every character in your story, including the protagonist. However, when you’re writing in first person as the protagonist, self-descriptions get tricky. How do you do it without making the narrator-protagonist sound self-indulgent or self-effacing?

You could use a mirror or reflection, but don’t do that. It’s an unrealistic cliche that shows your laziness as a writer. Who stands in front of the mirror and rattles off a list of what they look like?

Instead, you can leave it up to the reader to form his or her own imagination. Weave in hints about what you imagine the protagonist to look like (describing his parents or allowing another character to remark about his features), but don’t allow the narrator to describe himself. It’s cringeworthy.

Final Thoughts

Cliches were not always cliches. Once upon a time, they were each fresh ideas. Just like those writers of yesteryear, you can come up with your own unique spin on storytelling. Challenge yourself to come up with different ways to tell a timeless tale.

Over to You

Do you have any additional literary cliches that you hate? We’d love to hear them. Share it in the comments section below.

And before you leave, be sure to check out these related posts:

Don’t forget to download your list of 5 more writing cliches to avoid here.

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It’s really amazing article, thank you for sharing this!

Kim B

Great and we can add:
In love with a billionaire boss. There are too many now… check out al the romance books that are about a billionaire.. over it.

Samantha Wilson

Seems like I have the cliche of a chosen one hero. It dawned upon me that I use it all the time. In my first novel I published with the help of Ashley Garrow from http://www.writersdigest.com/ I deliberately used this type of a character, as it was needed for the development of the whole fiction narrative. Focalization was quite vivid and the first person narration contributed to it.
But when I now look at the next novels, I see that it’s pretty much the same. I do have an effect of copied stories.
My blog http://whiteflowersofpoetry.blogspot.com/ and ghost path – https://dissertationwriter.org/

Roland R Clarke

I fear that my current short story is veering towards the Love Triangle cliche, although that’s only in the protagonist’s eyes as the person she is falling for is not what she seems. If a Triangle is an illusion is it a cliche?

Ralph Perry

Yes. Love itself is always partly illusion. The fact that it may be completely illusory changes nothing about the fact that it is love.


My currently-in-development “chosen one” is a 72-year-old man who is opinionated and occasionally annoying. At least it’s a twist…


On the additional list, one of my characters is “royalty” but she already knows it and it presents more problems than it’s worth. Is that an ok twist?

Pamela Jay

One cliche that bothers me is finding out the main character is actually royalty/a god/heir to a huge fortune and didn’t even know it.

Don’t get me wrong, when it’s done right, it can make for a pretty good story. But when it’s just kinda thrown in there and we never really get an explanation on why they didn’t know, it can get pretty annoying and confusing.


Soap opera plot twists. The protagonist suddenly gets amnesia, or they find out that they’ve actually been married to their fiance’s evil twin for 15 years.

Timothy Gywn

I’m tired of portal stories. Like the Chosen One, finding a Magical Gateway to a fantastic world seems far too convenient. Bonus points for doing both together.


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